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Jusepe de Ribera Sense of Taste mk84
ca.1613-16
Hartford,Wadsworth Atheneum.
canvas
117x88cm
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Jusepe de Ribera St.Ferome and the Angel mk84
1626
Naples
canvas262x164cm
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Jusepe de Ribera Apollo and Marsyas mk84
1637.Brussels
canvas
202x255cm
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Jusepe de Ribera Ladnscape with Shepherds mk84
1639
Salamanca,Dukes of Alba
canvas
128x269cm
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Jusepe de Ribera Dream of Facob mk84
1639
Madrid,Prado,canvas
179x233cm
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Jusepe de Ribera Vision fo St.Bruno mk84
1643
Naples
38x27cm
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Jusepe de Ribera The Boy with the Clbfoot mk86
1642
Oil on canvas
164x92cm
Paris,Musee National du Louvre
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Jusepe de Ribera Archimedes mk86
1630
Oil on canvas
125x81cm
Madrid,Museo del Prado
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Jusepe de Ribera Marryrdom of St Bartholomew mk86
1630
Oil on canvas
234x234cm
Madrid,Museo del Prado
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Jusepe de Ribera St Christopher mk86
1637
Oil on canvas
127x100cm
Madrid,Museo del Prado
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Jusepe de Ribera Allegory of History mk91
Oil on canvas
113x81
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Jusepe de Ribera Boy with a Club foot mk156
1642
Oil on canvas
164x94cm
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Jusepe de Ribera St Sebastian and St Irene mk159
1628
Oil on canvas
156x188cm
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Jusepe de Ribera Jacob with the Flock of Laban mk170
circa 1638
Oil on canvas
132x118cm
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Jusepe de Ribera Vision of St Bruno 1643
Oil on copper,
38 x 27 cm
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Jusepe de Ribera Apollo Flaying Marsyas 1637
Oil on canvas,
202 x 255 cm
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Jusepe de Ribera clubfooted boy 1642
Oil on canvas,
164 x 92 cm
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Jusepe de Ribera Jacob Receives Isaac-s Blessing 1637
Oil on canvas,
129 x 289 cm
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Jusepe de Ribera The Duel of Isabella de Carazzi and Diambra de Pottinella 1636
Oil on canvas,
235 x 212 cm
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Jusepe de Ribera The Holy Family with St Catherine 1648
Oil on canvas
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Jusepe de Ribera
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1591-1652
Spanish
Jusepe de Ribera Galleries
Jusepe de Ribera (January 12, 1591 - 1652) was a Spanish Tenebrist painter and printmaker, also known as Jos?? de Ribera in Spanish and as Giuseppe Ribera in Italian. He was also called by his contemporaries and early writers Lo Spagnoletto, or "the Little Spaniard". Ribera was a leading painter of the Spanish school, although his mature work was all done in Italy.
In his earlier style, founded sometimes on Caravaggio and sometimes on the wholly diverse method of Correggio, the study of Spanish and Venetian masters can be traced. Along with his massive and predominating shadows, he retained from first to last a great strength in local coloring. His forms, though ordinary and sometimes coarse, are correct; the impression of his works gloomy and startling. He delighted in subjects of horror. In the early 1630s his style changed away from strong contrasts of dark and light to a more diffused and golden lighting. Salvator Rosa and Luca Giordano were his most distinguished followers, who may have been his pupils; others were also Giovanni Do, Enrico Fiammingo, Michelangelo Fracanzani, and Aniello Falcone, who was the first considerable painter of battle-pieces.
Among Ribera's principal works could be named "St Januarius Emerging from the Furnace" in the cathedral of Naples; the "Descent from the Cross" in the Certosa, Naples, the "Adoration of the Shepherds" (a late work, 1650), now in the Louvre; the "Martyrdom of St Bartholomew" in the Prado; and the "Pieta" in the sacristy of San Martino, Naples. His mythologic subjects are often as violent as his martyrdoms: for example, "Apollo and Marsyas", with versions in Brussels and Naples, or the "Tityus" in the Prado . The Prado and Louvre contain numbers of his paintings; the National Gallery, London, three. He executed several fine male portraits and a self-portrait. He was an important etcher, the most significant Spanish printmaker before Goya, producing about forty prints, nearly all in the 1620s.
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